TY - JOUR
T1 - Writing Games Continuity and Change in the Design and Development of Quiz Shows in Italy
AU - Scaglioni, Massimo
AU - Fiacco, Axel Michele
PY - 2013
Y1 - 2013
N2 - As in the United States and in many countries across Europe, the quiz show was a founding genre for Italian television as far back as the 1950s: because of their broad appeal, such game shows as Lascia o raddoppia and Il musichiere contributed strongly to television’s burgeoning popularity during the subsequent decades. Since then, the quiz show has traversed different eras of television history, with partial and gradual changes to its textual features, aesthetics and narratives, as well as its production routines. Since the 1980s, with deregulation and the advent of commercial television, the Italian game-show market has become more international and more reliant on formats. In the genre’s long history, the 'hidden profession' of writing TV games exhibits elements of both continuity and change. The needs of format-adaptation have highlighted two main areas of “localization”: question-writing and casting. This essay explores the profession of game-show writer in Italy and how the role has evolved. It adopts a historical framework to illuminate the continuity and change in the profession, in relation to a broader history of both the genre and the television medium, while also seeking to outline both the specificity of the Italian TV context and its connections with an international environment.
AB - As in the United States and in many countries across Europe, the quiz show was a founding genre for Italian television as far back as the 1950s: because of their broad appeal, such game shows as Lascia o raddoppia and Il musichiere contributed strongly to television’s burgeoning popularity during the subsequent decades. Since then, the quiz show has traversed different eras of television history, with partial and gradual changes to its textual features, aesthetics and narratives, as well as its production routines. Since the 1980s, with deregulation and the advent of commercial television, the Italian game-show market has become more international and more reliant on formats. In the genre’s long history, the 'hidden profession' of writing TV games exhibits elements of both continuity and change. The needs of format-adaptation have highlighted two main areas of “localization”: question-writing and casting. This essay explores the profession of game-show writer in Italy and how the role has evolved. It adopts a historical framework to illuminate the continuity and change in the profession, in relation to a broader history of both the genre and the television medium, while also seeking to outline both the specificity of the Italian TV context and its connections with an international environment.
KW - autore televisivo
KW - quiz and game show
KW - quiz show
KW - tv autorship
KW - autore televisivo
KW - quiz and game show
KW - quiz show
KW - tv autorship
UR - http://hdl.handle.net/10807/54771
UR - http://journal.euscreen.eu/index.php/view/issue/view/4/showtoc
M3 - Article
SN - 2213-0969
VL - 04/2013
SP - 112
EP - 123
JO - JOURNAL OF EUROPEAN TELEVISION HISTORY AND CULTURE
JF - JOURNAL OF EUROPEAN TELEVISION HISTORY AND CULTURE
ER -