Abstract
In a screenplay, the secrets of well written dialogue are
hidden in the construction of the scene, where every word
should stem from the theme of the story. At the light of
this basic assumption, the book explores how Hollywood
screenwriters create verbal duels assigning characters dif-
ferent frames of values and making the hero win by “re-
framing” what is at stake in the scene. The author elabo-
rates on how Oscar winner authors such as Paul Haggis,
Aaron Sorkin and Steven Zaillian create subtext. Finally, the
book highlights the screenwriting techniques to cover ex-
position, an issue which gives the author also the opportu-
nity to concentrate on the differences between dialogues in
movies and in TV drama.
Lingua originale | English |
---|---|
Editore | Peter Lang |
Numero di pagine | 223 |
ISBN (stampa) | 978-3-0343-1662-0 |
DOI | |
Stato di pubblicazione | Pubblicato - 2015 |
Keywords
- dialogo cinematografico
- film dialogue
- narrative rhetoric
- retorica narrativa
- sceneggiatura
- screenwriting