TY - JOUR
T1 - Visual exploration patterns of human figures in action: an eye tracker study with art paintings
AU - Villani, Daniela
AU - Morganti, Francesca
AU - Cipresso, Pietro
AU - Ruggi, Simona
AU - Riva, Giuseppe
AU - Gilli, Gabriella
PY - 2015
Y1 - 2015
N2 - Art exploration is a complex process conditioned by factors at different levels and\r\nincludes both basic visual principles and complex cognitive factors. The human figure is\r\nconsidered a critical factor attracting the attention in art painting. Using an eye-tracking\r\nmethodology, the goal of this study was to explore different elements of the human\r\nfigure performing an action (face and body parts in action) in complex social scenes\r\ncharacterized by different levels of social interaction between agents depicted in scenes\r\n(individual vs. social). The sample included 44 laypersons, and the stimuli consisted of\r\n10 fine art paintings representing the figurative style of classical art. The results revealed\r\ndifferent scanning patterns of the human figure elements related to the level of social\r\ninteraction of agents depicted in the scene. The agents’ face attracted eye movements\r\nin social interaction scenes while the agents’ body parts attracted eye movements only\r\nwhen the agents were involved in individual actions. These processes were confirmed\r\nspecifically in participants with high empathic abilities who became immediately fixated\r\non faces to develop a mimetic engagement with other agents. Future studies integrating\r\nother measures would help confirm the results obtained and strengthen their implication\r\nfor embodiment processes.
AB - Art exploration is a complex process conditioned by factors at different levels and\r\nincludes both basic visual principles and complex cognitive factors. The human figure is\r\nconsidered a critical factor attracting the attention in art painting. Using an eye-tracking\r\nmethodology, the goal of this study was to explore different elements of the human\r\nfigure performing an action (face and body parts in action) in complex social scenes\r\ncharacterized by different levels of social interaction between agents depicted in scenes\r\n(individual vs. social). The sample included 44 laypersons, and the stimuli consisted of\r\n10 fine art paintings representing the figurative style of classical art. The results revealed\r\ndifferent scanning patterns of the human figure elements related to the level of social\r\ninteraction of agents depicted in the scene. The agents’ face attracted eye movements\r\nin social interaction scenes while the agents’ body parts attracted eye movements only\r\nwhen the agents were involved in individual actions. These processes were confirmed\r\nspecifically in participants with high empathic abilities who became immediately fixated\r\non faces to develop a mimetic engagement with other agents. Future studies integrating\r\nother measures would help confirm the results obtained and strengthen their implication\r\nfor embodiment processes.
KW - body parts
KW - complex social scenes
KW - empathic abilities
KW - face
KW - visual exploring patterns
KW - body parts
KW - complex social scenes
KW - empathic abilities
KW - face
KW - visual exploring patterns
UR - https://publicatt.unicatt.it/handle/10807/71607
UR - https://www.scopus.com/inward/citedby.uri?partnerID=HzOxMe3b&scp=84947283678&origin=inward
UR - https://www.scopus.com/inward/record.uri?partnerID=HzOxMe3b&scp=84947283678&origin=inward
U2 - 10.3389/fpsyg.2015.01636
DO - 10.3389/fpsyg.2015.01636
M3 - Article
SN - 1664-1078
SP - 1
EP - 10
JO - Frontiers in Psychology
JF - Frontiers in Psychology
IS - Ottobre
ER -