Abstract
Hildegard of Bingen interprets the whole of human life in terms of har-mony and symphony: while harmony means the restoration of the relation-ship between humans and God and the entire redemption’s experience, the present human existence with its dangers, contradictions, and sins, corre-sponds to a symphony. Hildegard offers a unified vision of human beings, divine for the soul and earthly for the body. Every person is a microcosm, a multiplicity brought back to unity. The human soul is symphonialis, a characteristic expressing both the agreement between soul and body and the participation in every symphony of creation under the relationship that a person has with his or her surroundings, as well as making music.
| Titolo tradotto del contributo | [Autom. eng. transl.] A SYMPHONIALIS SOUL TO UNDERSTAND ONESELF AND THE WORLD. HILDEGARD OF BINGEN BETWEEN SOUND AND WORD |
|---|---|
| Lingua originale | Italian |
| pagine (da-a) | 25-44 |
| Numero di pagine | 20 |
| Rivista | DOCTOR VIRTUALIS |
| DOI | |
| Stato di pubblicazione | Pubblicato - 2024 |
Keywords
- Hildegard of Bingen
- Ildegarda di Bingen
- Symphony
- anima
- soul
- symphonia
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