Una voce buona. Risonanze tassiane nel Conte di Carmagnola

Ottavio Ghidini

Risultato della ricerca: Contributo in rivistaArticolo in rivista

Abstract

Starting from some of Tasso’s quotations in Conte di Carmagnola, the essay considers the importance given to the teaching of the late sixteenth-century epic poet in Manzoni’s work. In Gerusalemme liberata – this is the author’s purpose in the following pages – the Milanese writer could catch not only some elements useful to the representation of the inner man, but also a series of episodes which, inserted in their original diegetic development, can provide a moral teaching, too, not to mention the rest. Through some crossreferences to Tasso’s poem, the intertextual mechanism, as other rhetorical solutions, involves and forms the ideal Manzoni’s spectator, that is – as everybody knows – the judgespectator, constantly invited to consider the moral plausibility of the represented actions.
Titolo tradotto del contributo[Autom. eng. transl.] A good voice. Taxian resonances in the Count of Carmagnola
Lingua originaleItalian
pagine (da-a)39-49
Numero di pagine11
RivistaTESTO
Stato di pubblicazionePubblicato - 2012

Keywords

  • Manzoni
  • Tasso

Fingerprint Entra nei temi di ricerca di 'Una voce buona. Risonanze tassiane nel Conte di Carmagnola'. Insieme formano una fingerprint unica.

Cita questo