Una costante di gravitazione dantesca: da Gustave Doré a Gabriele Dell’Otto

Valentina Rovere

doi:10.30687/978-88-6969-565-0/003

Una costante di gravitazione dantesca: da Gustave Doré a Gabriele Dell’Otto

Valentina Rovere^*

^*Autore corrispondente per questo lavoro

Risultato della ricerca: Contributo in libro › Chapter

Abstract

In the mid-nineteenth century Gustave Doré fixed the imagery of Dante’s Comedy through his 136 engravings. Their expressive power is disruptive and long lasting. In order to investigate whether this modelling charge is still operating within very recent works, this essay takes into consideration two different illustrated editions of Dante’s Comedy: the one illustrated by Lorenzo Mattotti, Milton Glaser and Moebius for the Galleria Nuages, and the one still ongoing which is illustrated by Gabriele Dell’Otto.

Titolo tradotto del contributo	[Autom. eng. transl.] A constant of Dantesque gravitation: from Gustave Doré to Gabriele Dell'Otto
Lingua originale	Italian
Titolo della pubblicazione ospite	«A riveder la china». Dante nei fumetti (e vignette) italiani dal XIX al XXI secolo
Pagine	45-64
Numero di pagine	20
DOI	https://doi.org/10.30687/978-88-6969-565-0/003
Stato di pubblicazione	Pubblicato - 2021

Keywords

Dante. Commedia. Gustave Doré. Illustrazioni. Lorenzo Mattotti. Milton Glaser. Moebius. Gabriele Dell’Otto.

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10.30687/978-88-6969-565-0/003

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Una costante di gravitazione dantesca: da Gustave Doré a Gabriele Dell’Otto

Abstract

Keywords

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