Abstract
Roots and wings form the coordinates of both Harriet Martineau’s subjectivity and writing, affecting all the choices she makes and all the reasons she gives for these choices. Inextricably bound together like the knot in a rope, her attraction to houses as signs of self must be given equal weight with the experiences of move and travel she writes of again and again.
That a combination of biographical significance and environmental implication is traceable through Martineau’s awareness of her own conflict between subjection and autonomy is precisely what I explore here, starting from her first prospect of — and struggle for — reaching independence, an attempt she made only in her late youth and which gives expression not only to her own symbolic perception of self but also to that of dwelling.
Lingua originale | English |
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pagine (da-a) | 951-971 |
Numero di pagine | 21 |
Rivista | Victorian Literature and Culture |
Volume | 44 |
DOI | |
Stato di pubblicazione | Pubblicato - 2016 |
Pubblicato esternamente | Sì |
Keywords
- Harriet Martineau, The Knoll, roots, wings, Gaston Bachelard, poetics of space, Lake District, mother-daughter relationship