Abstract
This article analyses the representation of the Italian Prime Minister Matteo
Renzi on the Instagram page nomfup, which is managed by Renzi’s spin doctor,
Filippo Sensi. nomfup’s photos are frequently published in the Italian media, and
thus contribute to the construction of Renzi’s public image. The article draws on
Bourdieu’s perspectives on cultural production, on the cultural studies link between
media and ideology, and on Barthes’ idea that photography relates to the past.
Methodologically, it analyses nomfup’s photos through social semiotics, focusing on
images depicting Renzi from the back and in black and white. The results show that
first, when Renzi is represented from his back, the viewer sees the world as a Prime
Minister does. Second, the images representing Renzi in black and white refer to
the 1950s and 1960s, to the old Catholic party Democrazia Cristiana and to an
idealized Italy still pre-modern and extraneous to Berlusconi’s excesses and scandals.
Lingua originale | English |
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pagine (da-a) | 149-165 |
Numero di pagine | 17 |
Rivista | Northern Lights |
Volume | 15 |
DOI | |
Stato di pubblicazione | Pubblicato - 2017 |
Pubblicato esternamente | Sì |
Keywords
- Italy, Political communication, Matteo Renzi, Semiotics