Abstract
Over the past decade, technological innovations, increased digitalization
of customer exchanges and the rise of experiential consumption
have revolutionized many industries and resulted in some fundamental
restructuring (Holmqvist et al, 2020; Christodoulides et al, 2021).
Consumers, especially younger ones, now expect immediacy, availability,
and instant gratification, so many logics of fast fashion have
also been embraced by the luxury industry. As a generation who grew
up digital, they are less enthralled with owning goods, since they are experimenting with ways to access goods besides purchasing, ranging
from clothes and music to homes or vehicles.
Young people want items that align with their values, desires and
identity, and demand a more democratic luxury that is convenient,
seamless and flexible. This has resulted in a boom of new means to
access luxury; unconventional forms of consumption are emerging,
shifting the focus from ‘having-to-being and from owning-to-experiencing’
(Cristini et al, 2017, p.101).
After all, we have long shared things with family and friends, and
the internet and the sophistication of digital devices, further accelerated
by lockdowns, have facilitated commercial sharing and trading
among peers (Gibson et al, 2018; Widlok, 2017), contributing to the
success of the so-called sharing economy.
The sharing economy is an umbrella concept that encompasses
several theoretical constructs including collaborative consumption,
defined as an economic model based on sharing, second-hand purchasing,
and renting or leasing products and services (Iran and
Schrader, 2017; Hamari et al, 2015; Möhlmann, 2015; Botsman,
2013). Collaborative consumption involves temporary or permanent
consumption and peer-to-peer or business-to-consumer exchanges
platforms (Kumar et al, 2018). By integrating the concept of the sharing
economy into the clothing sector, collaborative fashion consumption
provides consumers with alternative options to the classic model
of purchasing garments, and people participate in an organized system
of acquisition and distribution of previously owned clothes or
accessories for a fee. Moreover, facilitated by technological advances,
the secondary market has substantially expanded opportunities for
consumers to dispose of apparel while recouping some of their previous
investment by reselling or renting still-valuable items (Sihvonen
and Turunen, 2016). A good example of this trend is the three-day
sale organized by the Kardashian-Jenner sisters with The RealReal,
proposing a vast assortment of designer items from their rich closets.
Lingua originale | English |
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Titolo della pubblicazione ospite | Managing Luxury Brands |
Editor | E Cattaneo |
Pagine | 275-308 |
Numero di pagine | 34 |
Stato di pubblicazione | Pubblicato - 2023 |
Keywords
- Luxury