Abstract
The reconstruction of the musical events of the Franciscan churches of Milan has shown the insertion of the Milanese Franciscan musical habits in a circuit of national scope - from the relationships of the Milanese convents with the sum auctoritas of Father Martini to the presence of figures such as Father Francesco Anotnio Urio who concluded in Milan, a career that saw him wander throughout Italy - and the city dimension that exalted the two teachers and theorists of eighteenth-century Milan: padre Narciso da Milano and padre Giandomenico Catenacci.
| Titolo tradotto del contributo | [Autom. eng. transl.] History, theory and practice of music in the convents of eighteenth-century Italy: the case of Milan |
|---|---|
| Lingua originale | Italian |
| Titolo della pubblicazione ospite | La musica nel Settecento Francescano |
| Editor | Alberto Annarilli |
| Pagine | 11-44 |
| Numero di pagine | 34 |
| Stato di pubblicazione | Pubblicato - 2023 |
| Pubblicato esternamente | Sì |
Keywords
- Sacred music, Milan, 18th century, Franciscan
- Musica sacra, Milano, Settecento, Francescani