Ri. Relazioni estetiche tra Oriente ed Occidente a partire da Kishio Suga

Giovanni Ferrario*

*Autore corrispondente per questo lavoro

Risultato della ricerca: Contributo in rivistaArticolo in rivistapeer review


Starting from the work of the artist Kishio Suga, the essay establishes a link between some of the great themes of the eastern and western aesthetics. The author, leader of the movement Mono-ha (もの派 - "school of things"), is a key point of the deep proximity that the Japanese artists at the end of the Sixties had with the western Arte Povera. The essay is divided into four moments of reflection that we could sum up in four key words: reference, thing, mystery, ethics. Such concepts lead to reflections concerning the origin and the enjoyment of the work of art, the concepts of "beauty”, proving that the cultural division is not to be hoped in the contemporary society which must broaden to transculturality. Deeply different structures of languages and cultures can be different but feel admit and in the same time shifted within their mutual values.
Titolo tradotto del contributo[Autom. eng. transl.] Re. Aesthetic relations between East and West starting from Kishio Suga
Lingua originaleItalian
pagine (da-a)125-136
Numero di pagine12
RivistaStudi di Estetica
Stato di pubblicazionePubblicato - 2018
Pubblicato esternamente


  • italiano


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