TY - JOUR
T1 - RAI beyond national boundaries: The case of 'Comunità Radiotelevisiva Italofona'/'Italophone Broadcasting Community'
AU - Carelli, Paolo
PY - 2015
Y1 - 2015
N2 - In 1985, during a decade of many transnational television experiments in Europe,
RAI launched a project in cooperation with public service broadcasters of neighbouring
countries; the collaboration involved the Swiss public service (RSI) and
the Yugoslavian experience of RTV Koper. This project was called ‘Comunità
Radiotelevisiva Italofona’/‘Italophone Broadcasting Community’ because the aim was
the promotion and development of Italian language and culture all across the world.
The experience of Comunità Radiotelevisiva Italofona represents one of the clearest
examples of the so-called ‘Italicity’, as defined by Bassetti – that is, the admixture
between Italian culture and the foreign cultures with which it blends. The aim of this
article is to retrace the history of this experience following multiple perspectives: an
overview of the most significant transnational broadcasters that arose in Europe; the
concept of ‘Italicity’ and the role of Italic and Italophone media in the world; the key
stages and the most important changes in the history of Comunità Radiotelevisiva
Italofona. Ideally, the result would be a complete overview of a project that has been
primary in making Italian public service (and its international branches) and Italian
culture known beyond national boundaries.
AB - In 1985, during a decade of many transnational television experiments in Europe,
RAI launched a project in cooperation with public service broadcasters of neighbouring
countries; the collaboration involved the Swiss public service (RSI) and
the Yugoslavian experience of RTV Koper. This project was called ‘Comunità
Radiotelevisiva Italofona’/‘Italophone Broadcasting Community’ because the aim was
the promotion and development of Italian language and culture all across the world.
The experience of Comunità Radiotelevisiva Italofona represents one of the clearest
examples of the so-called ‘Italicity’, as defined by Bassetti – that is, the admixture
between Italian culture and the foreign cultures with which it blends. The aim of this
article is to retrace the history of this experience following multiple perspectives: an
overview of the most significant transnational broadcasters that arose in Europe; the
concept of ‘Italicity’ and the role of Italic and Italophone media in the world; the key
stages and the most important changes in the history of Comunità Radiotelevisiva
Italofona. Ideally, the result would be a complete overview of a project that has been
primary in making Italian public service (and its international branches) and Italian
culture known beyond national boundaries.
KW - public service broadcasting
KW - transnational television
KW - public service broadcasting
KW - transnational television
UR - http://hdl.handle.net/10807/122204
U2 - 10.1386/jicms.3.1-2.171_1
DO - 10.1386/jicms.3.1-2.171_1
M3 - Article
SN - 2047-7368
SP - 171
EP - 183
JO - JOURNAL OF ITALIAN CINEMA & MEDIA STUDIES
JF - JOURNAL OF ITALIAN CINEMA & MEDIA STUDIES
ER -