The article outlines the genre’s historical features, focusing on its typical landmarks and its distinctive formats, themes and connections with national and transnational identities. It falls into two parts. First, I seek to place Arab fiction in the context of the explosion of commercial media that weakened traditional state-owned media models. Then, I point out the main themes that characterized TV series – such as secularism, sex and terrorism – and their relationship with political and religious power, focusing on three cases: Egypt, Syria and Turkey.
|Numero di pagine||12|
|Stato di pubblicazione||Pubblicato - 2015|
- arab TV Series
- mass media