Non solo pareti: la pittura su scultura

Sara Lenzi*, Paolo Liverani, Susanna Bracci, Giovanni Bartolozzi, Donata Magrini, Roberta Iannaccone

*Autore corrispondente per questo lavoro

Risultato della ricerca: Contributo in libroContributo a convegno

Abstract

Since 2003, when the exhibition Bunte Götter / I colori del bianco was opened, the study of polychromy on Greek and Roman sculpture has been developed: nowadays, there is no doubt that classical sculpture was actually brightly coloured. In order to understand, analyze and study the remains of these traces of ancient colour, a multi-disciplinary approach - which combines skills from different backgrounds, from applied science to the humanities - is mandatory. For this reason, during the last years various multi-disciplinary groups were formed, with the aim of studying polychrome sculptures and architectural elements, in order to deepen the knowledge in this peculiar eld of research.This paper shows a selection of case - studies on residual polychromy on marble reliefs and slabs which were set in walls of Roman buildings. The contexts were different in function and chronology, spanning from the domestic to the public ones and from the 1st century BC to the 3rd century AD.These case studies were part of a larger research on painting on marble sculptures, carried on in the framework of a collaboration agreement between the University of Florence and the ISPC - CNR of Florence since 2012.
Titolo tradotto del contributo[Autom. eng. transl.] Not just walls: painting on sculpture
Lingua originaleItalian
Titolo della pubblicazione ospitePareti dipinte. Dallo scavo alla valorizzazione. Atti del XIV Congresso internazionale dell'Association Internationale pour la Peinture Murale Antique (AIPMA). Napoli - Ercolano, 9-13 settembre 2019
Pagine479-492
Numero di pagine14
Stato di pubblicazionePubblicato - 2024
EventoXIV Congresso internazionale dell'Association Internationale pour la Peinture Murale Antique(AIPMA) - Napoli / Ercolano
Durata: 9 set 201913 set 2019

Convegno

ConvegnoXIV Congresso internazionale dell'Association Internationale pour la Peinture Murale Antique(AIPMA)
CittàNapoli / Ercolano
Periodo9/9/1913/9/19

Keywords

  • Polychromy, painting on marble, marble reliefs, non invasive analytical protocol, multi-disciplinary approach

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