Abstract
The chapters takes into account Peter Greenaway multifaceted project Lupercyclopedia, reserving a particular attention to its live cinema-related outcomes. The argument is structured on the potentiality to edit live the film and the subsequent articulation of a cinematic experience in which film, performance and digital technology intermingle. The resulting spectacle is analyzed in terms of mise-en-forme and mise-en-scène, focusing on the spatial articulation of the performance.
| Lingua originale | English |
|---|---|
| Titolo della pubblicazione ospite | Cinema and Art as Archive: Form, Medium, Memory |
| Pagine | 225-243 |
| Numero di pagine | 19 |
| Stato di pubblicazione | Pubblicato - 2014 |
Keywords
- archive
- cinematic experience
- digital cinema
- live cinema