The chapters takes into account Peter Greenaway multifaceted project Lupercyclopedia, reserving a particular attention to its live cinema-related outcomes. The argument is structured on the potentiality to edit live the film and the subsequent articulation of a cinematic experience in which film, performance and digital technology intermingle. The resulting spectacle is analyzed in terms of mise-en-forme and mise-en-scène, focusing on the spatial articulation of the performance.
|Titolo della pubblicazione ospite||Cinema and Art as Archive: Form, Medium, Memory|
|Numero di pagine||19|
|Stato di pubblicazione||Pubblicato - 2014|
- cinematic experience
- digital cinema
- live cinema