The recognition of the sins of the survivors of totalitarian regimes has great importance for the victims in Vasily Grossman’s last works. This paper analyzes how this issue turns out to be central in the artistic delineation of some of the most remarkable characters in Grossman’s works, from the half-mad Ikonnikov in Life and Fate to the cook Anna Sergeevna Michalëva, who, in Everything Flows, tells the story of the Holodomor.
Titolo tradotto del contributo[Autom. eng. transl.] The horror of guilt in the last Grossman
Lingua originaleItalian
pagine (da-a)49-65
Numero di pagine17
RivistaLINGUAE &
Stato di pubblicazionePubblicato - 2013


  • Disgelo
  • Grossman

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