Liberalizing art. Evidence on the Impressionists at the end of the Paris Salon

Elena Stepanova, Silvia Marchesi

Risultato della ricerca: Contributo in rivistaArticolo in rivista

3 Citazioni (Scopus)

Abstract

We analyze the art market in Paris between the government-controlled Salon and the post-1880 system, when the Republican government liberalized art exhibitions. The jury of the old Salon decided on submissions with a bias in favor of conservative art of the academic insiders, erecting entry barriers against outsiders as the Impressionists. With a difference-in difference estimation, we provide evidence that the end of the government-controlled Salon contributed to start the price increase of the Impressionists relative to the insiders.
Lingua originaleEnglish
pagine (da-a)1-20
Numero di pagine20
RivistaEuropean Journal of Political Economy
DOI
Stato di pubblicazionePubblicato - 2020
Pubblicato esternamenteYes

Keywords

  • art market

Fingerprint Entra nei temi di ricerca di 'Liberalizing art. Evidence on the Impressionists at the end of the Paris Salon'. Insieme formano una fingerprint unica.

Cita questo