Le songe de Médée: la ‘poesia muta’ di Angelin Preljocaj

Maria Jennifer Falcone

Risultato della ricerca: Contributo in rivistaArticolo in rivista

Abstract

In the creation Le songe de Médée (music by Mauro Lanza), the contemporary choreograph Angelin Preljocaj chooses a Medea, who represents the victim of an existential conflict. In his choreography, the myth symbolizes the challenge of every woman in any time: to reconcile her motherhood and her femininity, and to face more or less consciounsly the “Medea’s complex” (as it is defined by Preljocaj himself). The plot’s simplification, the movements’ expressionism, the violence of the infanticide scene and the perfect harmony between dance and music are only some of the elements that contribute in making so interesting the analysis of this creation.
Titolo tradotto del contributo[Autom. eng. transl.] The dream of Medea: the 'poesia muta' of Angelin Preljocaj
Lingua originaleItalian
pagine (da-a)103-125
Numero di pagine23
RivistaSTRATAGEMMI
Stato di pubblicazionePubblicato - 2010

Keywords

  • contemporary dance
  • danza contemporanea
  • medea

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