Abstract
Technologies of production and reproduction of sensorial materials (images, sounds, movements or transformations)
produce an "apocalypse of the senses", in the double sense that they reveal sensorial life to itself, and that they call for
a renewal of sensory routines. From a historical point of view, it is possible to identify three major steps. In the West
pre-modern life, sensorial life was made present through images within the category of the sacred, in a profound unity
directly involving the subject and the forms of his or her presence. Modernity, in contrast, adopted a secularized view:
the sensorium was disrupted and became anonymous, detached from individual bodies and direct experience. Finally,
within contemporary “post - media” condition, we consider sensible life as a field of action: indeed, the subject is
called to appropriate and manipulate sensible life artificially produced by technology; and the apocalypse of the
sensible life becomes a repeated, happy game.
Titolo tradotto del contributo | [Autom. eng. transl.] The apocalypses of the sensible. Notes on image, unveiling, regeneration |
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Lingua originale | Italian |
pagine (da-a) | 54-57 |
Numero di pagine | 4 |
Rivista | MANTICHORA |
Volume | 2 |
Stato di pubblicazione | Pubblicato - 2012 |
Keywords
- SEMIOTICA
- Semiotics
- studi visuali
- visual studies