Abstract
The discovery of an unpublished document illuminates the famous and most anthologized poem of Clemente Rebora (1885-1957), Dall’imagine tesa, offering a new interpretation to the mystery of the headline figure, important because it represents the meaning of the poet’s «terrible choice» after the dramatic experience of World War I and love with the Russian pianist Lydia Natus. The time of search and expectation, which has its outcome in Catholic conversion and in religious choice with a secret vote, pervades the collection of Canti anonimi, whose sources are investigated thanks to some author’s archival fragments. Roberto Cicala - Valerio Rossi, Università Cattolica del Sacro Cuore, Milano.
Titolo tradotto del contributo | [Autom. eng. transl.] Waiting for Rebora. Anonymous sources of songs and unpublished fragments at the turn of the Great War (with a new document for reading Dall'imagine tesa) |
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Lingua originale | Italian |
pagine (da-a) | 783-802 |
Numero di pagine | 20 |
Rivista | AEVUM |
Volume | LXXXIX |
Stato di pubblicazione | Pubblicato - 2015 |
Pubblicato esternamente | Sì |
Keywords
- carte d'archivio
- filologia dei testi a stampa