La storia dell’esercizio cinematografico di provincia in tre momenti storici. Il caso di Gardone Val Trompia

Risultato della ricerca: Contributo in rivistaArticolo in rivista

Abstract

The article uses a microhistorical approach to Gardone Val Trompia’s movie theatres. Using archives, local newspapers and other sources, it retraces historical change in management’s forms of out-of-the-city exhibitors. The aim is to highlight their radical difference: never cinema-only venues and always entangled with the local administration and civil society. Three particular moments are discussed: the origins of rural cinema among politicized mutualistic societies; the dominance of non-profit venues during the fascist era, especially those managed by Opera Nazionale Dopolavoro; the renewal and ‘professionalization’ in the mid-1950s. It is also discussed how the government license impacted locally on the cinemas’ existence.
Titolo tradotto del contributo[Autom. eng. transl.] The history of provincial cinema operations in three historical moments. The case of Gardone Val Trompia
Lingua originaleItalian
pagine (da-a)151-167
Numero di pagine17
RivistaSCHERMI
Volume7
DOI
Stato di pubblicazionePubblicato - 2023

Keywords

  • Film exhibition
  • Microhistory
  • Movie theatres
  • Moviegoing
  • Rural cinema

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