Abstract
The paper discusses and analyzes critically the Italian Cinema Audiences’ book and the study from which it was taken, connecting it to the widest knowledge about cinemagoing, movietheaters and publics in Italy during the Post World War II.
Lingua originale | English |
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pagine (da-a) | 199-201 |
Numero di pagine | 3 |
Rivista | CINÉMA & CIE |
Volume | 21 |
DOI | |
Stato di pubblicazione | Pubblicato - 2021 |
Keywords
- AUDIENCES
- HISTORY OF ITALIAN CINEMA