Intermediality, media-archaeology, and the gallery. Notes on Yervant Gianikian and Angela Ricci Lucchi’s video installations

Miriam Stefania De Rosa

Intermediality, media-archaeology, and the gallery. Notes on Yervant Gianikian and Angela Ricci Lucchi’s video installations

Miriam Stefania De Rosa

Risultato della ricerca: Contributo in libro › Contributo a convegno

Abstract

The article analyzes the installations by Gianikian and Ricci Lucchi moving from an intermedial and media archaeological background, claiming not only that the production by the artists conceived for the gallery space are to be seen in continuity as regards to their filmography, but that these corpus of recent artworks speak to the urge to spatialize the filmic image within a physical, practical, phenomenological environment.

Lingua originale	English
Titolo della pubblicazione ospite	At the Borders of (Film) History. Temporality, Archaeology, Theories
Pagine	91-100
Numero di pagine	10
Stato di pubblicazione	Pubblicato - 2015
Pubblicato esternamente	Sì
Evento	Film Forum - Università degli Studi di Udine Durata: 2 apr 2014 → 4 apr 2014

Convegno

Convegno	Film Forum
Città	Università degli Studi di Udine
Periodo	2/4/14 → 4/4/14

Keywords

gianikian&ricci lucchi
intermediality
media archaeology
video-installations

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title = "Intermediality, media-archaeology, and the gallery. Notes on Yervant Gianikian and Angela Ricci Lucchi{\textquoteright}s video installations",

abstract = "The article analyzes the installations by Gianikian and Ricci Lucchi moving from an intermedial and media archaeological background, claiming not only that the production by the artists conceived for the gallery space are to be seen in continuity as regards to their filmography, but that these corpus of recent artworks speak to the urge to spatialize the filmic image within a physical, practical, phenomenological environment.",

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author = "{De Rosa}, {Miriam Stefania}",

year = "2015",

language = "English",

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N2 - The article analyzes the installations by Gianikian and Ricci Lucchi moving from an intermedial and media archaeological background, claiming not only that the production by the artists conceived for the gallery space are to be seen in continuity as regards to their filmography, but that these corpus of recent artworks speak to the urge to spatialize the filmic image within a physical, practical, phenomenological environment.

AB - The article analyzes the installations by Gianikian and Ricci Lucchi moving from an intermedial and media archaeological background, claiming not only that the production by the artists conceived for the gallery space are to be seen in continuity as regards to their filmography, but that these corpus of recent artworks speak to the urge to spatialize the filmic image within a physical, practical, phenomenological environment.

KW - gianikian&ricci lucchi

KW - intermediality

KW - media archaeology

KW - video-installations

KW - gianikian&ricci lucchi

KW - intermediality

KW - media archaeology

KW - video-installations

UR - http://hdl.handle.net/10807/79936

M3 - Conference contribution

SN - 978-88-8420-886-6

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BT - At the Borders of (Film) History. Temporality, Archaeology, Theories

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Y2 - 2 April 2014 through 4 April 2014

ER -

Intermediality, media-archaeology, and the gallery. Notes on Yervant Gianikian and Angela Ricci Lucchi’s video installations

Abstract

Convegno

Keywords

Altri file e collegamenti

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