The essay developes an analysis of the German TV series industry focusing on the legal framework that regulates it and on its production practices, focusing especially on the relashionships between Broadcasters and Producers. The contribution shows how the German system is primarily centered on the total buyout model, which tend to penalize the Producers when the budget decreases. Nonetheless, the essay stresses the positive situation of German fiction that dominates the domestic market.
|Titolo tradotto del contributo||[Autom. eng. transl.] The fiction system in Germany|
|Numero di pagine||24|
|Stato di pubblicazione||Pubblicato - 2014|
- Creative industries
- Fiction televisiva
- Industria culturale
- Tv series