Abstract
The purpose of this paper is to examine the real face of Francesco Filelfo, that is truly documented in the portrait now preserved in the Municipal Palace of Tolentino and in a medal made by the architect Filarete. The portrait in Tolentino is the oldest and shows a particular iconography that soon after its realization was probably rejected or partly modified by Filelfo itself. Over the centuries the portrait of Tolentino was copied several times, but its meaning was not always understood. So, in some cases between XIXth and XXth centuries, works of art were even incorrectly passed as portraits of Filelfo.
| Titolo tradotto del contributo | [Autom. eng. transl.] The portrait of Francesco Filelfo: notes for a history of iconography from the Tolentine prototype to modern derivations |
|---|---|
| Lingua originale | Italian |
| Titolo della pubblicazione ospite | Filelfo, le Marche, l'Europa. Un'esperienza di ricerca |
| Pagine | 257-274 |
| Numero di pagine | 18 |
| Stato di pubblicazione | Pubblicato - 2018 |
| Pubblicato esternamente | Sì |
| Evento | convegno internazionale - Macerata-Tolentino Durata: 12 apr 2016 → 13 apr 2016 |
Convegno
| Convegno | convegno internazionale |
|---|---|
| Città | Macerata-Tolentino |
| Periodo | 12/4/16 → 13/4/16 |
Keywords
- Filelfo