GLI ACCORDI ANICA-MPEA E L’IMPIEGO DEI CAPITALI AMERICANI NEL NOSTRO CINEMA /PARTE 1 – I PRIMI DUE ACCORDI E LA PROMOZIONE DEL CINEMA ITALIANO ALL’ESTERO

Federico Di Chio

Risultato della ricerca: Contributo in rivistaArticolo

Abstract

From 1946 to 1962, the producers’ share of the rentals of US films in Italy was blocked in Italy. The specific use-cases of these funds – both in the film industry and in other sectors – were codified in a series of agreements which involved both governments. For the first time, all six understandings between the trade organizations ANICA and MPAA/MPEA are studied in detail. Based on archival research, the article reconstructs their development and implementation. The agreements, which regulated Italian-American film relations from 1951 until 1962, promoted joint productions and supported the distribution of Italian films by US Studios.
Titolo tradotto del contributoTHE ANICA-MPEA AGREEMENTS AND THE USE OF AMERICAN CAPITAL IN OUR CINEMA /PART 1 — THE FIRST TWO AGREEMENTS AND THE PROMOTION OF ITALIAN CINEMA ABROAD
Lingua originaleItalian
pagine (da-a)95-111
Numero di pagine17
RivistaSCHERMI
Volume6
Numero di pubblicazione12
DOI
Stato di pubblicazionePubblicato - 2022
Pubblicato esternamente

Keywords

  • Blocked funds
  • Film industry
  • Italy
  • Legislation
  • United States of America

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