Fragments Of A Musical/narratoligcal practice. Reading pop music as a narrative, musicians as characters

Giovanni Sibilla

Fragments Of A Musical/narratoligcal practice. Reading pop music as a narrative, musicians as characters

Giovanni Sibilla

Risultato della ricerca: Contributo in libro › Contributo a convegno

Abstract

[Ita:]This paper explores the possibilities of reading the practice of pop music as a social narrative through the tools developed by narratology. In other words, in these pages It to gives an answer to two questions: 1. Is it possible to use narratology to read the practice of pop music? 2. Why is it useful to read songs and musicians as narratives?

Lingua originale	English
Titolo della pubblicazione ospite	Practising Popular Music, Proceedings from IASPM-InternationalConference, McGill University, Montreal (2003),
Pagine	843-853
Numero di pagine	11
Stato di pubblicazione	Pubblicato - 2004
Pubblicato esternamente	Sì
Evento	12TH IASPM BIENNIAL CONFERENCE: PRACTISING POPULAR MUSIC - Montreal Durata: 4 lug 2003 → 9 lug 2003

Convegno

Convegno	12TH IASPM BIENNIAL CONFERENCE: PRACTISING POPULAR MUSIC
Città	Montreal
Periodo	4/7/03 → 9/7/03

Keywords

Media
Musica pop
New Media
Scienze della comunicazione
Semiotica
Sociologia

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title = "Fragments Of A Musical/narratoligcal practice. Reading pop music as a narrative, musicians as characters",

abstract = "[Autom. eng. transl.] This paper explores the possibilities of reading the practice of pop music as a social narrative through the tools developed by narratology. In other words, in these pages It to gives an answer to two questions: 1. Is it possible to use narratology to read the practice of pop music? 2. Why is it useful to read songs and musicians as narratives?",

keywords = "Media, Musica pop, New Media, Scienze della comunicazione, Semiotica, Sociologia, Media, Musica pop, New Media, Scienze della comunicazione, Semiotica, Sociologia",

author = "Giovanni Sibilla",

year = "2004",

language = "English",

pages = "843--853",

booktitle = "Practising Popular Music, Proceedings from IASPM-InternationalConference, McGill University, Montreal (2003),",

note = "12TH IASPM BIENNIAL CONFERENCE: PRACTISING POPULAR MUSIC ; Conference date: 04-07-2003 Through 09-07-2003",

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AU - Sibilla, Giovanni

PY - 2004

Y1 - 2004

N2 - [Autom. eng. transl.] This paper explores the possibilities of reading the practice of pop music as a social narrative through the tools developed by narratology. In other words, in these pages It to gives an answer to two questions: 1. Is it possible to use narratology to read the practice of pop music? 2. Why is it useful to read songs and musicians as narratives?

AB - [Autom. eng. transl.] This paper explores the possibilities of reading the practice of pop music as a social narrative through the tools developed by narratology. In other words, in these pages It to gives an answer to two questions: 1. Is it possible to use narratology to read the practice of pop music? 2. Why is it useful to read songs and musicians as narratives?

KW - Media

KW - Musica pop

KW - New Media

KW - Scienze della comunicazione

KW - Semiotica

KW - Sociologia

KW - Media

KW - Musica pop

KW - New Media

KW - Scienze della comunicazione

KW - Semiotica

KW - Sociologia

UR - http://hdl.handle.net/10807/165372

M3 - Conference contribution

SP - 843

EP - 853

BT - Practising Popular Music, Proceedings from IASPM-InternationalConference, McGill University, Montreal (2003),

T2 - 12TH IASPM BIENNIAL CONFERENCE: PRACTISING POPULAR MUSIC

Y2 - 4 July 2003 through 9 July 2003

ER -

Fragments Of A Musical/narratoligcal practice. Reading pop music as a narrative, musicians as characters

Abstract

Convegno

Keywords

Altri file e collegamenti

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