Forme dell'asrtazione in Italia nel secondo dopoguerra: Carla Accard, Afro, Piero Dorazio

An introduction to the characteristics of the work of Accardi, Afro and Dorazio, exponents of different forms of abstracion in the post-war period in Italy, accompanying the exhibition into which some of their paintings preserved in the Galleria Nazionale d'Arte Moderna of Rome are exhibited.\r\nThe text highlights the presence of different positions within the front of abstract art in the immediate post-war period (1945-1948), with reference to the contrasts that define the differente groups, to enhance the individual aspects that will characterize the work of each of the authors considered over time.