Abstract
This article deals with the intersections between oral and audiovisual sources, and also with their digital
and online usability, in the field of Holocaust memory. After a brief methodological introduction on the
problems linked to the relationships between truth and testimonies, and also on the possibility and the
need to visually represent the «unspeakable», a few cases will be examined in the perspective of the
latest Holocaust public memorialization, with a particular reference to the Italian context. The
representation of the survivors on the screen, and also their serial presence in several online mass
platforms, will be analyzed in a post-memorial perspective, in order to show the intermediality between
the building of the historical imageries and the present context. The urgency of rethinking this process
is even more pressing due to the passing of the last Holocaust survivors, forcing all the historians to
reshape their tools to study, analyze, narrate and divulge a history and a memory that are more and
more tending towards an indiscriminate relativization.
Titolo tradotto del contributo | [Autom. eng. transl.] Oral, audiovisual sources and memory of the Shoah on the web and digital |
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Lingua originale | Italian |
pagine (da-a) | 34-43 |
Numero di pagine | 10 |
Rivista | ANNALI DELLA FONDAZIONE UGO LA MALFA |
Stato di pubblicazione | Pubblicato - 2015 |
Keywords
- holocaust memory, public memory, cinema and memory