Film in Depth. Water and Immersivity in the Contemporary Film Experience

Adriano D'Aloia

Risultato della ricerca: Contributo in rivistaArticolopeer review

Abstract

Since its beginnings, cinema has recognised that water can visually give matter and meaning to human desires, dreams and secrets, eliciting suspense and fear. Using different aesthetical and technical strategies, contemporary cinema shows immersed and drowning bodies to represent and express intimacy and protection, suspense and fear, obsession and depression, state of shock, past or infancy trauma, hallucinations and nightmares, etc. The case of enwaterment (i.e. “water-embodiment”) is significant because of its relevance to the point where psychoanalysis and philosophy meet. In this essay, I attempt to investigate what is actually meant today by making a bodily and sensible experience of film by analysing the substance of water and the figures of the drowning and immersed body. Cinema embodies aquatic modalities of perception and expression, pulling the viewer into a liquid environment that is the confluence between the film-body and the filmgoer-body.
Lingua originaleInglese
pagine (da-a)87-106
Numero di pagine20
RivistaACTA UNIVERSITATIS SAPIENTIAE. FILM & MEDIA STUDIES
Stato di pubblicazionePubblicato - 2012
Pubblicato esternamente

Keywords

  • Contemporary cinema
  • Drowning
  • Enwaterment
  • Immersion
  • Water

Fingerprint

Entra nei temi di ricerca di 'Film in Depth. Water and Immersivity in the Contemporary Film Experience'. Insieme formano una fingerprint unica.

Cita questo