TY - CHAP
T1 - Euridice, moglie di Aminta III
AU - Bearzot, Cinzia Susanna
PY - 2014
Y1 - 2014
N2 - The tradition on Eurydikes, the Illyrian princess married to Amyntas III of Macedon about 393 BC, mother of his sons Alexander (II), Perdikkas (III) ad Philip (II), is twofold.
Justin knows a “black legend” on her: according to him, she conjured against her husband, murdered her sons Alexander and Perdikkas and married her son-in-law Ptolemaeus of Aloros. Aeschines (On the false legation), on the contrary, presents Eurydikes as a good wife and mother, a politically active queen who, after the death of her husband, was engaged in safeguarding life and succession of her sons.
The black legend is probably not reliable and originated from a palace conspiracy, which intended to represent the foreign widow-queen, “Illyrian and tribarbaros”, as an adulteress and a murderess, in order to delegitimize her offsprings and support the royal ambitions of Archelaos and his brothers, sons of the Macedonian princess Gigea, Amyntas’ first wife.
Nevertheless, Eurydikes was able to contrast this campaign and safeguard her good reputation. Her self-defence is also attested by a series of epigraphic documents, probably dated at the end of the fifties, in which she presents herself as devoted to her family and involved in the familiar cult of Artemis Eukleia. The presence of Eurydikes’ statue in the Philippeion of Olympias confirms her steady leading role in the royal family.
AB - The tradition on Eurydikes, the Illyrian princess married to Amyntas III of Macedon about 393 BC, mother of his sons Alexander (II), Perdikkas (III) ad Philip (II), is twofold.
Justin knows a “black legend” on her: according to him, she conjured against her husband, murdered her sons Alexander and Perdikkas and married her son-in-law Ptolemaeus of Aloros. Aeschines (On the false legation), on the contrary, presents Eurydikes as a good wife and mother, a politically active queen who, after the death of her husband, was engaged in safeguarding life and succession of her sons.
The black legend is probably not reliable and originated from a palace conspiracy, which intended to represent the foreign widow-queen, “Illyrian and tribarbaros”, as an adulteress and a murderess, in order to delegitimize her offsprings and support the royal ambitions of Archelaos and his brothers, sons of the Macedonian princess Gigea, Amyntas’ first wife.
Nevertheless, Eurydikes was able to contrast this campaign and safeguard her good reputation. Her self-defence is also attested by a series of epigraphic documents, probably dated at the end of the fifties, in which she presents herself as devoted to her family and involved in the familiar cult of Artemis Eukleia. The presence of Eurydikes’ statue in the Philippeion of Olympias confirms her steady leading role in the royal family.
KW - Aminta III
KW - Amyntas III
KW - Euridice
KW - Eurydikes
KW - Aminta III
KW - Amyntas III
KW - Euridice
KW - Eurydikes
UR - http://hdl.handle.net/10807/65416
M3 - Chapter
SN - 9788863443677
T3 - KOINOS LOGOS
SP - 629
EP - 646
BT - Donne che contano nella storia greca (Atti del Convegno, Chieti 2-4 maggio 2007
A2 - Bultrighini, Umberto
A2 - Dimauro, Elisabetta
ER -