Embodiment ed esperienza filmica. A partire da "Gravity"

Adriano D'Aloia

Risultato della ricerca: Contributo in rivistaArticolo in rivistapeer review

Abstract

This contribution reflects on contemporary film experience under the light of the encounter between the traditional semiological/aesthetic approach to narrative audiovisual media and some notions borrowed from embodied cognitive science. The theory of embodied cognition is studied with particular reference to a specific film genre and respective formal style, i.e. space-exploration film. As a case study, the opening sequence of Alfonso Cuarón’s Gravity is analysed to point out the dynamic disembodiment/re-embodiment, which is described as a strategy of spectator’s involvement.
Titolo tradotto del contributo[Autom. eng. transl.] Embodiment and film experience. Starting from "Gravity"
Lingua originaleItalian
pagine (da-a)149-166
Numero di pagine18
RivistaRETI SAPERI LINGUAGGI
DOI
Stato di pubblicazionePubblicato - 2015

Keywords

  • Cinema americano
  • Embodied cognition
  • Embodied simulation
  • Esperienza filmica
  • Estetica del cinema
  • Film aesthetics
  • Film experience
  • Film studi
  • Simulazione incarnata
  • Teorie del cinema

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