Abstract
The aim of this paper is to bring Alejandro Amenábar’s Agora into a wider reflection on the reason why contemporary cinema often turns to ancient history and myth, in a broad sense, with a particular focus on the promises of visibility that the narratives of the Ancient World seem to make to the cinema.
| Titolo tradotto del contributo | [Autom. eng. transl.] "And the worlds still turn under his white feet." Hypatia and Agora by Alejandro Amenábar |
|---|---|
| Lingua originale | Italian |
| pagine (da-a) | 334-346 |
| Numero di pagine | 13 |
| Rivista | DIONYSUS EX MACHINA |
| Volume | 2010 |
| Stato di pubblicazione | Pubblicato - 2010 |
Keywords
- Amenabar
- Ipazia
- cinema
- mondo
- visibilità