Abstract
The article tackles the issue of crowdsourcing practices in the realm of cinematic distribution. It moves from a reconstruction of the importance of the notion of the crowd in relation to the movie-going and traces the shift from off-to online environment.
Lingua originale | English |
---|---|
pagine (da-a) | 9-15 |
Numero di pagine | 7 |
Rivista | CINERGIE |
Stato di pubblicazione | Pubblicato - 2013 |
Pubblicato esternamente | Sì |
Keywords
- crowdsourcing
- filmic experience
- online screening
- spectatorship