Abstract
The three main settings of McEwan's Solar, a novel described as "the first great global-warming novel" (Walsh 2010) are significant: from London, to the Artic Pole, up to the desert in New Mexico, these places are all described through the interior monologue of the anti-hero Michael Beard, a character allegorical of humanity's greed for selfish over-consumption. As Beard moves in the real environment only through the non-places of supermodernity (Augé), the paper analyses the descriptions of settings to underline how McEwan uses them to write about climatechange in a new "novelistic" way (McEwan).
| Lingua originale | Inglese |
|---|---|
| pagine (da-a) | 35-42 |
| Numero di pagine | 8 |
| Rivista | L'ANALISI LINGUISTICA E LETTERARIA |
| Volume | 24 |
| Stato di pubblicazione | Pubblicato - 2016 |
Keywords
- Ecocriticism
- Environment
- Ian McEwan
- Language and Linguistics
- Linguistics and Language
- Literature and Literary Theory
- Places
- Solar
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