Abstract
Four short stories that illustrate how the concept of iconoclasm can help us work around the problem of using language that situates our economy of vision in relation to a false dichotomy between high art and construction work, between the space of the museum and the labour that makes it possible.
| Lingua originale | ???core.languages.zh_TW??? |
|---|---|
| pagine (da-a) | 31-38 |
| Numero di pagine | 8 |
| Rivista | XIN MEISHU |
| Stato di pubblicazione | Pubblicato - 2018 |
Keywords
- Pedro Costa
- art history
- iconoclasm
- labour