Four short stories that illustrate how the concept of iconoclasm can help us work around the problem of using language that situates our economy of vision in relation to a false dichotomy between high art and construction work, between the space of the museum and the labour that makes it possible.
|Numero di pagine||8|
|Rivista||Journal of the National Academy of Art|
|Stato di pubblicazione||Pubblicato - 2018|
- Pedro Costa
- art history