Abstract
The study considers how the linguistic portrait of Nikolay Adreevich, a typical 1950s soviet intellectual-opportunist, changes in the various and yet unstudied editions of the last novel by Vasily Grossman Everything flows (1955–1963). Nikolay Adreevich reveals himself in dialogues with his wife Masha and his cousin Ivan. Analyzing in what way he addresses his wife and cousin in different editions, we can trace the whole process of reviewing the novel by the author himself.
| Lingua originale | Russian |
|---|---|
| Titolo della pubblicazione ospite | ЯЗЫКОВАЯ ЛИЧНОСТЬ В ЗЕРКАЛЕ ИНТЕРПРЕТАЦИОННЫХ ИССЛЕДОВАНИЙ |
| Editor | Т. А. Трипольская |
| Pagine | 66-87 |
| Numero di pagine | 22 |
| Stato di pubblicazione | Pubblicato - 2021 |
Keywords
- Tutto scorre
- Vasilij Grossman
- Василий Гроссман
- Все течет