Winnie and the Tradition of the Actor: From Old Italian Style to the Experimental Stage

Annamaria Cascetta; Laura Peja

Winnie and the Tradition of the Actor: From Old Italian Style to the Experimental Stage

Annamaria Cascetta
, Laura Peja

Research output: Contribution to journal › Article

Abstract

The essay analyzes some of the most interesting productions of Happy days by samuel Beckett on the Italian theatrical scene

Original language	English
Pages (from-to)	73-97
Number of pages	25
Journal	Journal of Beckett Studies
Volume	13
Publication status	Published - 2003

Keywords

Actress
Beckett
Theatre

Cite this

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title = "Winnie and the Tradition of the Actor: From Old Italian Style to the Experimental Stage",

abstract = "The essay analyzes some of the most interesting productions of Happy days by samuel Beckett on the Italian theatrical scene",

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author = "Annamaria Cascetta and Laura Peja",

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journal = "Journal of Beckett Studies",

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publisher = "Edinburgh University Press",

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AU - Cascetta, Annamaria

AU - Peja, Laura

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N2 - The essay analyzes some of the most interesting productions of Happy days by samuel Beckett on the Italian theatrical scene

AB - The essay analyzes some of the most interesting productions of Happy days by samuel Beckett on the Italian theatrical scene

KW - Actress

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KW - Theatre

KW - Actress

KW - Beckett

KW - Theatre

UR - http://hdl.handle.net/10807/61958

M3 - Article

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VL - 13

SP - 73

EP - 97

JO - Journal of Beckett Studies

JF - Journal of Beckett Studies

ER -

Winnie and the Tradition of the Actor: From Old Italian Style to the Experimental Stage

Abstract

Keywords

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