UN’ANIMA SYMPHONIALIS PER COMPRENDERE SE STESSI E IL MONDO. ILDEGARDA DI BINGEN TRA SUONO E PAROLA

Translated title of the contribution: [Autom. eng. transl.] A SYMPHONIALIS SOUL TO UNDERSTAND ONESELF AND THE WORLD. HILDEGARD OF BINGEN BETWEEN SOUND AND WORD

Research output: Contribution to journalArticle

Abstract

Hildegard of Bingen interprets the whole of human life in terms of har-mony and symphony: while harmony means the restoration of the relation-ship between humans and God and the entire redemption’s experience, the present human existence with its dangers, contradictions, and sins, corre-sponds to a symphony. Hildegard offers a unified vision of human beings, divine for the soul and earthly for the body. Every person is a microcosm, a multiplicity brought back to unity. The human soul is symphonialis, a characteristic expressing both the agreement between soul and body and the participation in every symphony of creation under the relationship that a person has with his or her surroundings, as well as making music.
Translated title of the contribution[Autom. eng. transl.] A SYMPHONIALIS SOUL TO UNDERSTAND ONESELF AND THE WORLD. HILDEGARD OF BINGEN BETWEEN SOUND AND WORD
Original languageItalian
Pages (from-to)25-44
Number of pages20
JournalDOCTOR VIRTUALIS
DOIs
Publication statusPublished - 2024

Keywords

  • Hildegard of Bingen
  • Ildegarda di Bingen
  • Symphony
  • anima
  • soul
  • symphonia

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