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Tragicommedia

Translated title of the contribution: Tragicommedia

Research output: Chapter in Book/Report/Conference proceedingEntry for encyclopedia/dictionary

Abstract

The term “tragicomedy” appears for the first time in the Prologue of Plautus’ Amphitryon, a palliata that presupposes a Greek model. The Latin term tragico[co]moedia (P, tragicomoedia Leo 1895) seems to be a construction based on the Greek lemma (not attested) *τραγι[κο]κωµωδία or *τραγοκωµωδία. It is well known that from the Renaissance to the present this genre has enjoyed various degrees of success in European dramatic production, influencing filmography as well. We investigate the history of the term with reference to classical theatre since the satyr dramas, comedies, and tragedies, especially by Euripides, with their adventurous plots, happy endings, and some comic scenes bordering on the grotesque, do not neatly fall into either the tragic or comic genre. Indeed, they can only be well explained if understood as a “mixed” genre
Translated title of the contributionTragicommedia
Original languageItalian
Title of host publicationEuropean Lexicon of Theatre
PublisherMimesis Edizioni
Pages327-337
Number of pages11
Volume2025
ISBN (Print)9791222310800
DOIs
Publication statusPublished - 2025

Keywords

  • Anfitrione di Plauto
  • Plautus' Amphitryon
  • Tragicomedy
  • dramma satiresco
  • satirical drama
  • tragicommedia

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