Riappropriarsi della storia dell'arte

The Artists behaviour regarding the history of art is completly different compared to the one in the past like, as an example, the historical movement of “citazionismo”, that was direcltly involved in reviewing the classical painting and sculputuring. It is differnet also compared to the common practice of artists who have analyzed the classical masterpieces of the past to indentify new ways of research. As it was theorized by Nicolas Bourriaud, many artists today approach the history of art, even the most contemporary one, in a way that can be seen in terms of “postproduction” , in other words taking back the artistic culture of images elaboration. My work would like to highlight this specific aspect through the analysis of the best cases, to identify in the current art the presence of a lyric o poetry, non taking only in consideration the pure techincal tools used to express (painting, sculture, video, installation, net-art), that state the history of art like a fluid material to wich refer and obtain inspiration without constraints.