[Autom. eng. transl.] The text starts from the comparison between the wall of "cigarette ends" composed by Pamuk inside the Museum of Innocence and the works of analogous material made by the English artist Damien Hirst, to analyze how the linguistic form of recourse to objects belonging to the "infraordario" they enter a literary and explicitly artistic type of composition, to consider similarities and differences.
|Translated title of the contribution||[Autom. eng. transl.] Collecting cigarette butts. The extraordinary becomes a work|
|Title of host publication||Un sogno fatto a Milano. Dialoghi con Orhan Pamuk intorno alla pratica del museo|
|Editors||Laura Lombardi, Massimiliano Rossi|
|Number of pages||9|
|Publication status||Published - 2018|