Abstract
[Autom. eng. transl.] One of the most evident characteristics of the Latin American cultural practices of the new millennium is the proposal of new critical positions on the part of the indigenous intellectual world. Parallel to the political and social movements of the American continent that point towards a decolonization of the material and intellectual life of the original peoples, a vast literary production written in Spanish and in indigenous languages is proposing alternative ways of seeing the world with respect to the indigenous peoples. western models. The article explores in particular the work of the Guatemalan artist Rosa Chávez, who assumes through her artistic production a critical position of patriarchy and ethnic discrimination. Performer, poet, actress, educator and activist of K'iche 'and Kaqchikel origin, in her artistic production operates a re-reading of Mayan spirituality, rearticulates the founding myths of the nation and proposes a key of resistance in the relationship with nature.
| Translated title of the contribution | [Autom. eng. transl.] Critical proposals in the Mayan poetry of the new millennium. Existential networks in the work of Rosa Chávez |
|---|---|
| Original language | Spanish |
| Pages (from-to) | 1-24 |
| Number of pages | 24 |
| Journal | CRISOL |
| Publication status | Published - 2021 |
Keywords
- Poesia maya contemporanea, poesia indigena del Guatemala, Rosa Chávez, movimento maya, pensiero critico indigeno
- poesía maya contemporánea, poesía indígena de Guatemala, Rosa Chávez, movimiento maya, pensamiento crítico indígena