Oltre il disciplinamento normativo. La musica sacra nell’Italia padana in età post-tridentina

Translated title of the contribution: [Autom. eng. transl.] Beyond the regulatory framework. Sacred music in Padana Italy in the post-Tridentine age

Maurizio Padoan

Research output: Chapter in Book/Report/Conference proceedingConference contribution

Abstract

The artificial decorum disguised as the “social conditioning” of San Carlo that was so perceptible in Milan was systematically circumvented by the most important chapels (not only in North Italy) through concepts of rhetorical design through concepts of rhetorical design aimed at the persuasion of the faithful—a persuasion that often is defined by the theatricalization of the ecclesiastical space. The “concerti,” in particular, far more than seeking to intensify the religious experience, acquire a peculiar autonomy that comes to enslave worship. Inevitably, that which was conceived as a means (music as stimulation of devotion) becomes the end.
Translated title of the contribution[Autom. eng. transl.] Beyond the regulatory framework. Sacred music in Padana Italy in the post-Tridentine age
Original languageItalian
Title of host publicationNorma del clero, speranza del gregge. L’opera riformatrice di san Carlo tra centro e periferia della diocesi di Milano
Pages189-217
Number of pages29
Publication statusPublished - 2015
EventL’opera riformatrice di San Carlo Convegno internazionale di studi a Milano e alla Rocca d’Angera - Milano, Angera
Duration: 21 May 201022 May 2010

Conference

ConferenceL’opera riformatrice di San Carlo Convegno internazionale di studi a Milano e alla Rocca d’Angera
CityMilano, Angera
Period21/5/1022/5/10

Keywords

  • Compieta
  • Italia del nord
  • North Italy
  • San Carlo
  • artificial decorum
  • artificioso decoro
  • cappelle
  • chapels
  • compline
  • concerti
  • persuasion of the faithful
  • persuasione dei fedeli
  • progetto retorico
  • rhetorical design
  • teatralizzazione
  • theatricalization

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