Abstract
This chapter presents the main lines of neurofilmology, a theory regarding the viewer’s experience when engaging with audiovisual media. Neurofilmology constructs a model of the viewer’s experience articulated into four levels of interpretative configurations: sensation/perception, existential placement, narrative ordering, and relational attuning. The goal of neurofilmology, as a meta-empirical theory, is to open a dialogue between audiovisual semiotics and contemporary neurocognitive sciences.
Original language | English |
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Title of host publication | Open Semiotics. Volume 3. Texts, Images, Arts |
Editors | A. Biglar |
Pages | 421-434 |
Number of pages | 14 |
Publication status | Published - 2023 |
Keywords
- semiotica dei media
- media semiotics
- neurofilmologia, neurocinematica
- audiovisual semiotics
- neurofilmology
- semiotica e scienze neurocognitive
- neurocinematics
- semiotics and neurocognitive sciences