Abstract
Critical editions can be complex objects to digitise both in the output/publication process and in the production.
In most cases, for the output, there is the need to manage facsimiles, a main text (with lots of diacritics, deletions, suppressions, supplied text), an apparatus (with a very dense, conventional notation), footnotes (with cross references and bibliographic references), and conventional markings for page breaks from previous editions and/or manuscripts, in the form of other digitised text or images.
Original language | English |
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Title of host publication | Digital humanities 2011, University of Stanford, Book of Abstracts |
Pages | 1 |
Number of pages | 1 |
Publication status | Published - 2011 |
Event | Digital Humanities 2011 - University of Stanford Duration: 19 Jun 2011 → 22 Jun 2011 |
Conference
Conference | Digital Humanities 2011 |
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City | University of Stanford |
Period | 19/6/11 → 22/6/11 |
Keywords
- critical editions
- medieval studies