Max Huber: sinestesie tra grafica e pittura

Translated title of the contribution: [Autom. eng. transl.] Max Huber: synaesthesia between graphics and painting

Chiara Mari

Research output: Contribution to journalArticle

Abstract

[Autom. eng. transl.] Since the training period in Zurich in the 1930s, abstract-concrete pictorial research and 'applied' research in advertising, publishing and typography have been closely connected in Max Huber's work methodology, in line with the concept of unity of the arts deriving from the Bauhaus. These trespasses give his graphic design an elegance and a communicative force always far from easy or trivial solutions, according to an idea of design culture at the service of man and society.
Translated title of the contribution[Autom. eng. transl.] Max Huber: synaesthesia between graphics and painting
Original languageItalian
Pages (from-to)N/A-N/A
JournalAIS / DESIGN
VolumeI
Publication statusPublished - 2013

Keywords

  • Max Huber
  • grafica
  • pittura

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