L'orrore della colpa nell'ultimo Grossman

Maurizia Calusio

doi:10.7358/ling-2013-002-calu

L'orrore della colpa nell'ultimo Grossman

Translated title of the contribution: [Autom. eng. transl.] The horror of guilt in the last Grossman

Maurizia Calusio

Research output: Contribution to journal › Article › peer-review

Abstract

The recognition of the sins of the survivors of totalitarian regimes has great importance for the victims in Vasily Grossman’s last works. This paper analyzes how this issue turns out to be central in the artistic delineation of some of the most remarkable characters in Grossman’s works, from the half-mad Ikonnikov in Life and Fate to the cook Anna Sergeevna Michalëva, who, in Everything Flows, tells the story of the Holodomor.

Translated title of the contribution	[Autom. eng. transl.] The horror of guilt in the last Grossman
Original language	Italian
Pages (from-to)	49-65
Number of pages	17
Journal	LINGUAE &
DOIs	https://doi.org/10.7358/ling-2013-002-calu
Publication status	Published - 2013

Keywords

Disgelo
Grossman

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10.7358/ling-2013-002-calu

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title = "L'orrore della colpa nell'ultimo Grossman",

abstract = "The recognition of the sins of the survivors of totalitarian regimes has great importance for the victims in Vasily Grossman{\textquoteright}s last works. This paper analyzes how this issue turns out to be central in the artistic delineation of some of the most remarkable characters in Grossman{\textquoteright}s works, from the half-mad Ikonnikov in Life and Fate to the cook Anna Sergeevna Michal{\"e}va, who, in Everything Flows, tells the story of the Holodomor.",

keywords = "Disgelo, Grossman, Disgelo, Grossman",

author = "Maurizia Calusio",

year = "2013",

doi = "10.7358/ling-2013-002-calu",

language = "Italian",

pages = "49--65",

journal = "LINGUAE &",

issn = "1724-8698",

publisher = "Milano: LED Edizioni Universitarie di Lettere Economia Diritto.",

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AU - Calusio, Maurizia

PY - 2013

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N2 - The recognition of the sins of the survivors of totalitarian regimes has great importance for the victims in Vasily Grossman’s last works. This paper analyzes how this issue turns out to be central in the artistic delineation of some of the most remarkable characters in Grossman’s works, from the half-mad Ikonnikov in Life and Fate to the cook Anna Sergeevna Michalëva, who, in Everything Flows, tells the story of the Holodomor.

AB - The recognition of the sins of the survivors of totalitarian regimes has great importance for the victims in Vasily Grossman’s last works. This paper analyzes how this issue turns out to be central in the artistic delineation of some of the most remarkable characters in Grossman’s works, from the half-mad Ikonnikov in Life and Fate to the cook Anna Sergeevna Michalëva, who, in Everything Flows, tells the story of the Holodomor.

KW - Disgelo

KW - Grossman

KW - Disgelo

KW - Grossman

UR - http://hdl.handle.net/10807/51429

UR - http://www.ledonline.it/linguae/allegati/linguae1302calusio.pdf

U2 - 10.7358/ling-2013-002-calu

DO - 10.7358/ling-2013-002-calu

M3 - Articolo in rivista

SN - 1724-8698

SP - 49

EP - 65

JO - LINGUAE &

JF - LINGUAE &

ER -

L'orrore della colpa nell'ultimo Grossman

Abstract

Keywords

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