L’opera falsa e l’archivio d’artista. Profili penali

Translated title of the contribution: [Autom. eng. transl.] The fake work and the artist's archive. Criminal profiles

Research output: Chapter in Book/Report/Conference proceedingChapter

Abstract

This chapter focuses on criminal offences punishing the counterfeiting of artworks within the Italian legal system, highlighting the peculiarities of provisions aimed at punishing behaviors which are only indirectly harmful to the cultural heritage, while at the same time providing a direct protection to the art market - to its transparency and cleanliness - as an end in itself, as well as a way to advance a layer of preventive protection to the interests of potential buyers and collectors. The specific offences of counterfeiting, placing on the market, and providing false statements or documentation concerning authenticity, are discussed, also in relation to further criminal offences (like fraud and fencing), together with the specific penalties and exceptions provided by Italian criminal law. Finally, the chapter focuses on possible responsibilities of achives' boards and curators, particularly with respect to failure to report counterfeited artworks.
Translated title of the contribution[Autom. eng. transl.] The fake work and the artist's archive. Criminal profiles
Original languageItalian
Title of host publicationL’archivio d’artista. Princìpi, regole e buone pratiche
EditorsAlessandra Donati, Filippo Tibertelli de Pisis
Pages211-237
Number of pages27
Publication statusPublished - 2022

Keywords

  • archivi d'artista
  • art and cultural property law
  • artist's archives and foundations
  • contraffazione
  • criminal law
  • diritto dell'arte e dei beni culturali
  • diritto penale
  • fakes and forgeries

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