ll testo della 'Commedia' dopo l'edizione Petrocchi

Andrea Canova

ll testo della 'Commedia' dopo l'edizione Petrocchi

Translated title of the contribution: [Autom. eng. transl.] The text of the 'Comedy' after the Petrocchi edition

Andrea Canova

Research output: Contribution to journal › Article › peer-review

Abstract

This essay examines a series of proposals for critical edition (some already published) of Dante’s masterpiece following the Commedia secondo l’antica vulgata edited by Giorgio Petrocchi (1966-1967), in particular, the reconstructions of Federico Sanguineti, Giorgio Inglese and Paolo Trovato. Emphasis is given to the nature of transmission of the manuscripts, hypothetical descriptions of the archetype, and the applicability of a strictly lachmannian approach to a heavily contaminated tradition. Examples of the usefulness of new reflections on the collation of witnesses are also presented.

Translated title of the contribution	[Autom. eng. transl.] The text of the 'Comedy' after the Petrocchi edition
Original language	Italian
Pages (from-to)	65-78
Number of pages	14
Journal	TESTO
Volume	61-62
Publication status	Published - 2011

Keywords

Commedia
Critical editions
Dante
Edizioni critiche

Cite this

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AU - Canova, Andrea

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N2 - This essay examines a series of proposals for critical edition (some already published) of Dante’s masterpiece following the Commedia secondo l’antica vulgata edited by Giorgio Petrocchi (1966-1967), in particular, the reconstructions of Federico Sanguineti, Giorgio Inglese and Paolo Trovato. Emphasis is given to the nature of transmission of the manuscripts, hypothetical descriptions of the archetype, and the applicability of a strictly lachmannian approach to a heavily contaminated tradition. Examples of the usefulness of new reflections on the collation of witnesses are also presented.

AB - This essay examines a series of proposals for critical edition (some already published) of Dante’s masterpiece following the Commedia secondo l’antica vulgata edited by Giorgio Petrocchi (1966-1967), in particular, the reconstructions of Federico Sanguineti, Giorgio Inglese and Paolo Trovato. Emphasis is given to the nature of transmission of the manuscripts, hypothetical descriptions of the archetype, and the applicability of a strictly lachmannian approach to a heavily contaminated tradition. Examples of the usefulness of new reflections on the collation of witnesses are also presented.

KW - Commedia

KW - Critical editions

KW - Dante

KW - Edizioni critiche

KW - Commedia

KW - Critical editions

KW - Dante

KW - Edizioni critiche

UR - http://hdl.handle.net/10807/1821

M3 - Articolo

SN - 1123-4660

VL - 61-62

SP - 65

EP - 78

JO - TESTO

JF - TESTO

ER -

ll testo della 'Commedia' dopo l'edizione Petrocchi

Abstract

Keywords

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